As usual, Kirby manipulates various interwar records to fit a cavalcade of emotional states: blissful (B1, E8), tragic (D2, D5), frantic (E1, E6), and just plain horrifying (F3, G1, H1, K1). gjoe52
In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal. Bandcamp New & Notable Mar 7, 2020
Burial fully realises the ambient aspects of his work that he has been leaning towards over the past few years. Whether you like it or not, you can't deny that this is undeniably Burial. Kutkh_Jackdaw